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the sample is called re_tratos , since it expresses the face and the treatment we give to these beings. As Western culture, to marginalize their own spaces., Leaving them wandering in their lands.
The exhibition takes place from facilities that break the established spaces, defining parameters to generate a route that gives us a new way to watch.
The show is a series of images and sculptures that brings us into the anonymous people, the marginalized, entering them in their joys and frustrations to each other in this existence, in the seemingly meaningless under the gaze of our world every day more global. Unveiled in the brightness of these looks to those who have been wandering to the paths of development, these faces carved in simple speak of a much more connected to their environment that tries to survive in the unreal.
Working
inspired by Aymara people, the Bolivian Altiplano and in the faces of children in our region that belong to different foundations of social welfare and prisons.
The show is a series of images and sculptures that brings us into the anonymous people, the marginalized, entering them in their joys and frustrations to each other in this existence, in the seemingly meaningless under the gaze of our world every day more global. Unveiled in the brightness of these looks to those who have been wandering to the paths of development, these faces carved in simple speak of a much more connected to their environment that tries to survive in the unreal.
Working
inspired by Aymara people, the Bolivian Altiplano and in the faces of children in our region that belong to different foundations of social welfare and prisons.
Work Background
Ariel Orellana Extract ______Un letter to my friends because ...
On June 21 after several hours of travel and long waits at airports, with the heaviness of having outdated in the wake of solticio to mark the new year Aymara in Tihuanaku, these expectations that make you wander in the nonsense, reality and sleep, fragmented perception of falling asleep at times and do not TRENGTHENING, I remembered those around me and eterrna dilemma of loneliness as a key part of all being, at that point came to my mind the hundreds of curious eyes that accompanied me in these days of transparency and understanding, discovering that he had brought a great legacy with me and me alone seemed absurd, which was then born the need to share the findings.
Ariel Orellana Extract ______Un letter to my friends because ...
On June 21 after several hours of travel and long waits at airports, with the heaviness of having outdated in the wake of solticio to mark the new year Aymara in Tihuanaku, these expectations that make you wander in the nonsense, reality and sleep, fragmented perception of falling asleep at times and do not TRENGTHENING, I remembered those around me and eterrna dilemma of loneliness as a key part of all being, at that point came to my mind the hundreds of curious eyes that accompanied me in these days of transparency and understanding, discovering that he had brought a great legacy with me and me alone seemed absurd, which was then born the need to share the findings.
Reflection
After capturing many images of distant faces of loved lost in the Bolivian altiplano, but are there more alive than ever in the struggle prebalecer it counts as a people, submitted by the macificacion Western culture, which the board wants the same car and that treating cattle, sheep the same flock, as being numeric, disguised in manociados concepts such as globalization. In this contect
strange faces torn by dryness of those nice things I saw altitudes after the masks that shape these climates. Urges in his eyes and discovered the brilliance of these native people, which ultimately are more connected with the environment, questioning my origins in the senseless, reflected in things as mundane as the calendar capricious occidentla governing our culture, versus the Aymara, which is the same that governs all our peoples, which in the cosmic order, tells of a much closer relationship with the natural environment, for example, their new year starts giving season crops, thus gives way to back to life.
After capturing many images of distant faces of loved lost in the Bolivian altiplano, but are there more alive than ever in the struggle prebalecer it counts as a people, submitted by the macificacion Western culture, which the board wants the same car and that treating cattle, sheep the same flock, as being numeric, disguised in manociados concepts such as globalization. In this contect
strange faces torn by dryness of those nice things I saw altitudes after the masks that shape these climates. Urges in his eyes and discovered the brilliance of these native people, which ultimately are more connected with the environment, questioning my origins in the senseless, reflected in things as mundane as the calendar capricious occidentla governing our culture, versus the Aymara, which is the same that governs all our peoples, which in the cosmic order, tells of a much closer relationship with the natural environment, for example, their new year starts giving season crops, thus gives way to back to life.
The photo exhibition is divided three contexts, one that looks at the Aymara and the ruins of Tiwanaku , the Aymara city Peace and the Aymara in relation to the historic environment.
The Aymara and ruin: A series of photographs 20X25 cm format. exposed in the central module, which shows, on the eve of the Aymara New Year celebration, where the Aymara works in color photographs and debris in black and white, to show the separation that has the Aboriginal with the environment, transformed into a monument of humanity by UNESCO.
The Aymara and ruin: A series of photographs 20X25 cm format. exposed in the central module, which shows, on the eve of the Aymara New Year celebration, where the Aymara works in color photographs and debris in black and white, to show the separation that has the Aboriginal with the environment, transformed into a monument of humanity by UNESCO.
The Aymara in the City of Peace: A series of images 20X25 cm format. working with the opposite concept and put the city in color image contemporary works by black and white Aymara, to show the separation of Aboriginal people in the big city, which is secreted as an emigrant to the Alto de la Paz, which is another city.
The Aymara in relation to its historical environment: montages recreates a series of 60x45 cm format. This is a personal vision, which show the Aymara people, as to be timeless in its ruins, and as is defragmenting the culture and lore, by Western influence, leaving us an image that is lost on the wreck, which is expressed in humans diffuse colors and eternal ruin monolithic , undaunted against time in black and white.
The Aymara in relation to its historical environment: montages recreates a series of 60x45 cm format. This is a personal vision, which show the Aymara people, as to be timeless in its ruins, and as is defragmenting the culture and lore, by Western influence, leaving us an image that is lost on the wreck, which is expressed in humans diffuse colors and eternal ruin monolithic , undaunted against time in black and white.
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